Poetization of the document in Sin título - técnica mixta (2004-2018) by the Yuyachkani Cultural Group

Abstract

This text addresses the strategies through which, throughout the various revisions of the latter between 2004 and 2018, Yuyachkani’s dramaturgy turns the document into a material that poetically testifies about political violence in Peru through throughout his republican life, particularly during the internal armed conflict 1980-2000. Thus, this article proposes to observe the documentary material from three conceptual perspectives: expanded document, active document and embodied document.